Our physical, digital and philosophical space for exploration and discovery.

We need to re-think recycling

The Wild West of web design

Metaverse 101

NOMAD: unlocking our four walls

BEHIND THE
CURTAIN

CURTAIN

CURTAIN

CURTAIN

A sneak peak look at what goes into the process of our work and what we have coming up.

SWATCH OF THE MONTH

SEMPTEMBER 2023

#10 animate materials

In the context of the prevailing global, catastrophic heatwaves and their far-reaching impact across the world, this month’s Swatch focusses its attention on heat-resistant and animated materials.

July saw the hottest global temperatures in history, resulting in wildfires and heat-related deaths.

This led us to question: if extreme heat continues, what will the impact be on materials and how can we build resilience to the potential extremes ahead?

Researchers at the University of Chicago have developed a cladding material with the ability to change colour, based on external temperature – serving to enhance a building’s energy efficiency.

The composite material, composed of copper foil, plastic and graphene layers alters its infrared colour in response to the temperature it encounters. On hot days it emits more heat, appearing yellow in thermal imaging, while on cold days it retains heat, appearing purple.

This innovative technology has the potential to be retrofitted to existing buildings, contributing to improved heating and cooling processes. About 35% of a building’s energy goes to heating, cooling, and ventilation, but with the help of animated materials, this could reduce energy consumption by 8%.

This new material could allow buildings to independently regulate the temperature, without the added cost to the environment. From ancestral building techniques to uber innovative

technologies, we have to rethink the way we approach and make materials.At Seymourpowell, we are constantly pushing the limits of materials and are eager to apply our experience in dealing with heat resistant materials for transportation to other industries.

Have you come across similar technologies?

SWATCH OF THE MONTH

june 2023

#09 yves klein blue

The Swatch #9 plots the rising of Yves Klein Blue and explores why this colour captures the spirit of the moment.

This hue has shone in recent weeks: at Milan Design Week, the Met Gala and in ‘Blue Now’, a theatrical ode to Derek Jarman's final film, Blue (1993). But, why now?

This ardently intense colour was registered by artist Yves Klein as a trademark in 1957, under the name International Klein Blue (IKB). As Dr James Fox describes, this colour evokes unlimited possibilities, as well as reflecting the essence of natural elements like water and sky, signalling a reverence for the natural world.

During 2020 and 2021, we saw blues soften to reassuring shades, such as Pantone’s ‘Classic Blue’. This year, however, unrest, rebellion, and a need to speak our truths has triggered a shift to this vocal, extroverted blue – a colour of action.

Swipe once to see flocked IKB featured in STILL NOW by @feliciaferrone . Swipe twice to see @official__stormzy in @burberry at the Met Gala, Stained Glass Table Light and Mutation Club Chair by @maartendeceulaer and ‘Blue Now’, directed by Neil Bartlett.

SWATCH OF THE MONTH

may 2023

#08 dust

How will geopolitical conflicts and more frequent natural disasters impact the future of materiality?

The Swatch #08 examines the concept of dust as a metaphor for resilience and renewal, as its meaning shifts from being a waste material to a valuable resource in a world facing conflict and scarcity.


The phrase “From Dust to Dust" symbolises the cyclical nature of things, where endings bring new beginnings and destruction leads to renewal. Karma Dabaghi's hand-blown vases, made from collected and recycled glass from the Beirut Port blast aftermath, not only serve a practical purpose, but also embody hope and resilience in the face of adversity.  

Dust is constantly created, dispersed, and reformed. As resource scarcity becomes an increasingly pressing issue, it's crucial to find innovative ways to utilise the potential of dust as a valuable resource.

A prime example of this is StoneCycling®, a Dutch company which leverages biotechnology to convert construction waste into a new building material using limestone produced by bacteria. The BioBasedTiles installation at Helix Lab in Kalundborg, Denmark, is the largest so far: saving 2,865kg of CO2 and upcycling 19,000kg of dust and debris from demolished buildings.

Seymourpowell's CMF Strategy team leverages creativity and innovation to transform overlooked resources into valuable products, supporting innovators by making material solutions accessible.

Through the circular accelerator and other sustainability tools, we are dedicated to promoting a circular economy which minimises waste and optimizes resource utilisation.

SWATCH OF THE MONTH

APRIL 2023

#07 cruz-foam

Snow has fallen and a new Swatch has landed

......it spotlights a tool developed by our CMF team: the Sustainable CMF Index. The Index is a practical framework, applied across the design process, to provide inspiration and guidance when selecting sustainable methods of fabrication.


The animation showcases the digital twin of one of the featured technologies in the Index: Cruz Foam. Cruz Foam is a biofoam made from Chitin, a by-product from the food industry, made from the shells of crustaceans. 🦐 The fibrous substance is mixed with a blowing agent (produced from bio-derived waste) which then creates the foam structure.

The material has similar properties to Expanded Polystyrene (EPS) and Expanded Polyurethane (PU) but is home compostable in just three months, making it a great alternative to the harmful (and nearly immortal!) single-use Styrofoam.

SWATCH OF THE MONTH

MARCH 2023

#06 bio-mining

The Swatch this month uncovers the emergent industry of biological mining and explores the role that synthetic biology could have on recovering valuable metals sourced from e-waste.

Specially designed microbes, plants or mycelium could have a role in replacing traditional mining techniques whilst remediating polluted landscapes, reducing embodied CO2 and advancing the recovery of resources from e-waste.


As we transition to an electric-dependant society with the rise of electronics, EV’s and new home power supply, the demand for metals, like copper and precious metals, will only increase. Analysts have estimated that virgin sources of copper will be gone by 2026 and 2030, for gold. In addition, many of these key metals and minerals come from conflict areas with unethical working practices. Startups in the business of engineering biology are looking to address these problems:

@cemvita_factory aims to use CRISPR engineered microbes to mine copper, gold and zinc from mine waste tailings and low-grade ore using clean, cheap biological processes that require very low energy use.

In the Malaysian jungle, a certain species of plant is being farmed to harvest nickel, drawn up through its roots in a process called 'phytomining' – a key element for the manufacture of stainless steel.

See above for the harvesting gold animation by @jam.finni for Karoline Healy, who is currently researching biological derived precious metals for use in jewellery: @h2erg_jewellery

Swipe once for @cemvita_factory on ore-eating microbes.Swipe twice to see the nickel-rich sap bleeding from the hyperaccumulator, Phyllanthus Rufuschaneyi, researched by Anthony van der Ent.

Swipe three times to see the Fusarium Oxysporum fungus which gathers gold nanoparticles: @csirogram

SWATCH OF THE MONTH

FEBRUARY 2023

#05 mined ochre

This month’s Swatch looks at colour – more specifically, the colours of Milan Design Week 2022.

The standout colour of Milan 2022 is mined ochre.

Although yellow is traditionally seen as a colour of joy and playfulness, this toned down, burnt yellow evokes a sense of melancholy, signalling to a general cautiousness around these unprecedented times. Yet the energy imbued from the colour yellow remains, summoning optimism and resolve for positive change.


‘Appropriating the Grid’ by @i.rocamrc is a collection of modular furniture which features mined ochre, as well as a mix of soil (we named ‘terracotta powder’) and aggregate (we named ‘faded concrete’). It critiques the wastefulness in the construction industry: the built environment generates nearly 50% of annual global CO2 emissions. As creatives, we not only need to improve the way in which we produce materials, but also rethink the way in which they are sourced.

SWATCH OF THE MONTH

JANUARY 2023

#04 self-administrating wood

This month's Swatch spotlights self-administrating wood that is produced by forests that are augmented to sustain themselves, physically and financially. 🌳

At Seymourpowell, we see this becoming the future of sustainable material supply chains – when managed in conjunction with healthy ecosystems.


Various start-ups such as @treeviaforest and Overstory work towards such a scenario, whereby forests connect to smart sensors, remote sensing, AI-driven automation and blockchain to create an Internet of trees that extends the ecosystem into the digital space.

Similar to 'precision agriculture,' this allows for 'precision forestry’, where AI can be specifically applied to the holistic planning of logging and planting. As such, forest inventories can be kept transparently and autonomously in order to inform forestry decisions that must balance economic, cultural and conservation values on a country-scale.

While certifications like the Forest Stewardship Council (FSC) are essential today, we are always on the look out for new standards and practices that may also play a role in securing a sustainable material future.

SWATCH OF THE MONTH

NOVEMBER 2022

#02 eco digital colour

The Swatch this month uncovers the emergent industry of biological mining and explores the role that synthetic biology could have on recovering valuable metals sourced from e-waste.

Specially designed microbes, plants or mycelium could have a role in replacing traditional mining techniques whilst remediating polluted landscapes, reducing embodied CO2 and advancing the recovery of resources from e-waste.


As we transition to an electric-dependant society with the rise of electronics, EV’s and new home power supply, the demand for metals, like copper and precious metals, will only increase. Analysts have estimated that virgin sources of copper will be gone by 2026 and 2030, for gold. In addition, many of these key metals and minerals come from conflict areas with unethical working practices. Startups in the business of engineering biology are looking to address these problems:

@cemvita_factory aims to use CRISPR engineered microbes to mine copper, gold and zinc from mine waste tailings and low-grade ore using clean, cheap biological processes that require very low energy use.

In the Malaysian jungle, a certain species of plant is being farmed to harvest nickel, drawn up through its roots in a process called 'phytomining' – a key element for the manufacture of stainless steel.

See above for the harvesting gold animation by @jam.finni for Karoline Healy, who is currently researching biological derived precious metals for use in jewellery: @h2erg_jewellery

Swipe once for @cemvita_factory on ore-eating microbes.Swipe twice to see the nickel-rich sap bleeding from the hyperaccumulator, Phyllanthus Rufuschaneyi, researched by Anthony van der Ent.

Swipe three times to see the Fusarium Oxysporum fungus which gathers gold nanoparticles: @csirogram

SWATCH OF THE MONTH

OCTOBER 2022

#01 digital twins

Welcome to ‘The Swatch’, a regular edition where we spotlight a significant colour, material or finish.

First up: Digital Twin - a digitalised material that emulates a real-world material.


Digital twins are not new to SP (our Creative Technologists and CMF Strategists are Metaverse regulars, you might say) yet the material has taken on fresh meaning for us of late.

Ground-breaking artists such as Andres Reisinger and Audrey Large are evolving the narrative between digital and physical materials and we’re excited to follow their lead.

A thrilling shift in influence is emerging where digitally-birthed materials are beginning to be translated into extraordinary physical twins; suggesting a ‘chicken or egg?’ future where we must become adept at translating materials from one reality to another.

It’s got us questioning: what can we process and copy from digital realms to shape tomorrow’s reality?

First up is a WIP example of our work with digital twins.Swipe once for a quote by @reisingerandres - the doyen of digital materials.Swipe twice to see @audreylrg mind-blowing ‘Scale to Infinity, Fragment 10’.